Welcome @Ran!

and @m_theater, @keftaparty, @oscar, @Luka, 95% @Maxime and possible @feinsinn. That counts possibly eight with myself - not too much for an 'Isadora User Meeting Berlin' in a 12 x 12m rehearsal room... About the equipment: I now can confirm that we will have access to a Panasonic PT-DX100 with a fixed wide angel lens and two Sanyo PDG-DET100 with F=1,6-1,9\. There is a screen in the room (4,5m wide) and 3 walls, although not perfectly even, are white. So @Ran we will have enough to project with and onto, but feel free to bring your equipment. I would prefer that everyone brings some small stuff, like cameras and sensors, so we have some peripherals to play with. As no one, beside m_theater, has made suggestions for the agenda, I guess this will be the one for the first meeting: meet up, play around, have fun. Maybe we'll find something more sophisticated for the second... For our well-being I will provide coffee, drinks, snacks and plan to get some 'real' food around 19:30 from these guys; http://suppen-cult.de Any vegetarians so far? Send me a PM.

Two weeks to go,
Looking forward,
best,
Reinhard

Glad you got it working!

Same - tried a few things but I think it needs updating.

The modern is too dark for my taste , I prefer the classic 😉 Im on 2.0.b16 Windows7

Sorry if this isn't helpful but can you not calibrate the software so it can't go off the screen?

@gapworks

The idea of Makey does not allow this. You have a connection bridged with very large resistor 10MOhm or more that Arduino is set to read 0\. Your body resistance is less than that and thus Arduino reads more than 0 when you bridge the connention. If you set Arduino to react to the value over some threshold you get a trigger(MIDI note, switch etc). I have thought about this too and the only solution I found for my installation/object was to have person touch the ground connection without notice. Look fot capacitance sensors for more discreet setup.

HI there, can you file a support request.? The online ticket system would be best for working to fix this issue with you.
http://troikatronix.com/support/isadora/

thanks!

we are using epoccam with one iphone in one show since February (lenovo ideapad Z370 + TP-Link TL-WR941ND) - and I was not very amused with the latency.

Since then I have tried a lot of routers and firmwares (openwrt, tomato, ddwrt) and the result is, that a old Buffalo router - WHR-HP-G64 with the [old tomato](http://www.polarcloud.com/tomato) is the winner The WHR-HP-G64 is very hard to find on ebay, all the other routers mentioned should work Just an info, if sombody needs it - maybe somebody else knows a better method, it would be nice to know.....

Michel is right, this feature is coming soon. I am really excited about this... the number of possibilities is huge.

To control the output range add a second input to the javascript actor and pass it an upper limit of the range. Then change javascript to this:

var sum = 0;

function main()

{

if (sum < arguments[1]) {

     sum += arguments[0];

}

return sum;

}

Now Eycon is free as far as I know. Just ask Frieder since he's switching to Calypso

Thanks a lot for your link, I already saw it! 😉 actually I solved my problem with double connection solution so we could consider closed this thread. Thanks to ervery one answered me.

Nice example, thanks! @jhoepffner
Worked right "out of the box" ! ha ha LOL...
Makes me happy to see these things.
Thanks for your generosity 🙂

@dbini
Also great. What a fabulous bunch of peeps!  🙂

Hi all,

This is all really helpful as I mostly produce on large background for our productions.  Is there a way to use the CI actors to accomplish the same thing?

Wow brilliant!

Each .3ds file is controllable as a whole. There is no access to sub components.
You can however position a number of .3ds files on the stage, and position them in relation to each other.
And as Skulpture mentioned the 3d lighting actor/s can light the combination of 3ds files in the scene.

So in this way you can have a 3ds file that is say a floor, and 2 rear walls, then another that is the table.  You would then have many controls available to you that would allow you to animate the table. Each 3ds file can have one texture. I have created these in Blender before, but honestly, I don't know blender well so it was a tricky trial and error sort of thing.. The texture needs to be in the same folder as the 3ds when creating it... thats about all I remember.

You can use midi cc or conditionals to get more into a single track. For conditionals you can make a note on that changes a set of commands this way you can increase your commands, or alternately use midi cc, you get 128 values per cc and you can have a lot of them in one midi track.

For the jump, use absolute, not relative scene positions and create a single logic actor that you can duplicate in every scene, it can take the midi input and go directly to a specific scene, then you will be able to jump anywhere in your timeline I would guess you can do all this with a single midi track but it could get messy and having a track for each song (use your show hide groups in PT to make it neat if you like) can make management and editing easier.  Alternately you can also use the velocity of notes as specific data, you can give each song a note and then use different velocities to get through different parts of the song. It is a little dangerous for editing as it is hard to see what you are doing in PT with the velocity (and it is finicky to edit this precisely as well). There are many many ways to do this. I would definitely spend the time to make an absolute not relative scene jump. Although I would not suggest duration as a first option in this case, it could be ok as well, you could have a timeline for each song in duration and just trigger each timeline from PT- messy but clears up your PT timeline. Alternately you can output midi timecode and read incoming timecode from PT and create a master scene that is always active and activates and deactivates your other scenes based on timecode. Many ways of solving this, not sure exactly how the looks transition or what they are. Fred

I've found the solution. 

Each time I want to send a different sound at different time in the same output, I must use another player with another channel. Here I can use 6 players. Best regards b 

3c5dd9-out-izz..tiff 3f84f2-out-izz..tiff

Ah sorry I wasn't sure you had IzzyMap or not.

@xlrstik
and this is running ok now but with an OWC SSD instead?
I have been using two from One World Computing SSD's in my i7 17" 2010 MBP with great results. I have Mavericks on one SSD and Yosemite on the other. No problems so far, and very fast.
For the price, it feels like having a new machine... but I have still have all my firewire/expresscard slot etc.

jamie